The Cut -- Landing Louis Gossett Jr. to star in the movie is front-page-news in Memphis and a huge leap for faith-based features. Until recently, most Christian movies relied heavily on unknown actors or amateurs, and typically could best be described as "preaching to the choir." The Grace Card's creator, David Evans wanted to change that. And he started with the script. "I've been writing and producing live Christian events for nearly twenty years," Evans says. "But I'm an optometrist by trade. I've never made a feature film before. I knew I needed to surround myself with a team that could best bring this vision to life."
"Love and forgiveness, that's what it's about." This is how Academy Award winner Louis Gossett, Jr. describes "The Grace Card," a movie currently filming in Memphis. Gossett plays George Wright, a civil rights pioneer and long-time activist minister who provides wisdom and advice to his grandson Sam, who's chosen to follow in George's ministry footsteps. Problem is, Sam Wright's church is too small and budget-challenged. Sam's a full-time cop on the tough streets of inner city Memphis, preaching on Sunday.
"The Grace Card" doesn't feel benign, safe, or "preaching to the choir." This is a tough and gritty story of racial reconciliation wrapped in a police and family drama. A personal tragedy has left officer Mac McDonald, played by veteran screen actor Michael Joiner, a bitter, angry soul. He blames his downward spiral on minorities, "the system" and God Himself. All comes to a boil when Mac is paired with new a new partner -- African-American pastor-cop Sam Wright, played by Memphis' own Michael Higgenbottom. When the unthinkable happens to Mac, his only lifeline is Grace, offered by the God he's abandoned, through the gift of a man he can barely stand.
"People want to see name actors, quality production values and good stories," says veteran screenwriter Howie Klausner. "And despite conventional Hollywood 'wisdom', the gospel and grace is just as real and relevant as a movie theme as it was 2000 years ago." Evans enlisted Klausner to rewrite his first draft, and come on board to produce the film with him.
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